It is part of poetry’s appeal that all is not always what it seems. An initial reading can soon be challenged and brought up short. This poem is a good example - it begins as a devotional outpouring but look how it continues!
The first two lines of the poem could be taken in isolation as an earnest and prayerful reminder to be thankful always for God’s goodness, perhaps in the same vein as a verse from Joseph Addison’s wonderful hymn of 1712: 'When all Thy mercies, O my God':
But as the poem progresses, it seems that such is the weakness of our human condition that even an act or disposition of gratitude needs divine provenance – and persistence on the part of the poet: 'Thy beggar works on thee by art' (stanza 1); 'Perpetuall knockings at Thy doore' (stanza 4); 'I crie, and crie again' (stanza 7).
George Herbert leaves us in no doubt that God is gracious when beholding our noise, indeed our every 'sigh and grone'.
And the beggar’s request in the final stanza – not just a grateful heart from time to time, but one that is grateful all the time, continuously, as a beating pulse. Does this sound familiar? In 'Praise (II)', Herbert’s words for the well-known and much loved hymn 'King of Glory, King of Peace', the poet’s request has been granted:
'Gratefulnesse' has itself become a hymn, with music composed in 2007 by Edmund Hampton (at that time a pupil at Bishop Wordsworth’s School in Salisbury). It is one of the hymns in our book 'Another Music', a beautiful collection of contemporary George Herbert hymn settings. It also features on our CD of these hymns 'George Herbert - Hymns New and Old', sung by Sarum Voices, which can be ordered direct from our Gift Shop
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