When, in his 'Life of Mr. George Herbert', Izaak Walton wrote that Herbert was initially reluctant to accept the living at Bemerton, and that he "endured ... spirtual conflicts", he may well have had this poem in mind. Clearly reflecting Herbert's own feelings, and almost certainly written in the late 1620s, it illustrates his deep awareness of a priest's weighty responsibilities.
In hoping that her fifth son George would take holy orders, Magdalen Herbert obviously saw in him the devotion and intellect needed to make a success of the priesthood. It is clear that, while at Cambridge, he himself embraced the idea; in a letter of 1617 to his step-father, he writes that he is "now setting foot into Divinity".
In the poem's opening stanza, Herbert recognises that the clergy are in a position of great authority, regardless of their social background. He states quite clearly that he aspires to be of their number. But in the following staza he expresses doubts not only about his worthiness for such a high calling, but also whether it would suit him or affect him adversely - the word 'composition' could be taken to mean either his physical frailness or his poetry, or perhaps both.
And yet, he accepts in the third and fourth stanzas that becoming a priest has a transformative effect, regardless of the social or intellectual standing of those who undertake it. It doesn't surprise him that his God can take human clay of all kinds and mould it into priestly shape. After all, Herbert reasons, God is working with the raw material that He himself created. And he finds the results admirable - 'curious things' made by God's 'cunning hand'.
The fifth stanza addresses the role of the clergy in the eucharist, and the importance of the priest's purity in relation to his handling of the communion bread and wine. Faced with this, it seems Herbert is still not convinced of his fitness to enter the priesthood, and he is loath to pursue the idea too strongly; his reference in the sixth stanza to the Biblical story of the danger of touching of the Ark of the Covenant may be a little far-fetched, but it shows his reluctance to take the initiative.
And so, in the final stanza, Herbert concludes that the best thing he can do is to sit back and wait for his God to call him to the priesthood. After all, he argues, there may come a time when God needs to make use of even someone as unworthy as himself, and he suggests that his show of reluctance could perhaps make him a more acceptable proposition in the eyes of God.
This poem seems to be Herbert's reflection on the situation in which he finds himself in his mid-thirties. Academia has lost its attraction, and he realises that he has no prospect of preferrment at court. He is well aware that his late mother had dearly wished him to become a priest but still he hesitates, perhaps hoping (like Mr Micawber) that "something will turn up". And of course, in 1629, something did.
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